A depository for John Dalton's personal artwork. Studio Artist, MSG, procedural art, WMF, digital painting, image processing, human vision, digital art, slit scan, photo mosaic, artistic software, video effects, computer painting, fractals, generative drawing, paint animation, halftoning, video effects, photo manipulation, modular visual synthesis, auto-rotoscoping, directed evolution, computational creativity
Vector woodcut effect based on a paint synthesizer anti-alias solid brush type preset. It's all built with vector ellipse paint nibs. I've been rediscovering the simple ellipse recently, much more versatile then you might expect. The key is using the paint synth to adaptively muck with the basic ellipse shape.
Playing around with vector halftoning using the paint synthesizer. This one is not technically correct, since it's working with RGB fills as opposed to CMY for the 3 color passes. Note the partial dotting, which is the key to getting source detail rendition with large dot sizes.
Interesting approach to building textured region fill. The patterning is first formed by thin black lines on a solid background. Then the Flat Color Regionize ip op is used to build the final colored regions.